Fresh from the press came the third volume, "I, René Tardi, prisoner of war at Stalag IIB", which Anette Gehrig, director of Cartoonmuseum Basel, made at the vernissage. It is the last work of the French Zach Tardy to which is dedicated the new monotheistic exhibition in the beautiful old house in the suburb of St. Albans.
After Ulli Lust in the summer, after Christoph Niemann last year, this is again an excellent comic artist, one of the very great with the corresponding reputation Gehrig can present. Tarde – he likes to leave his first name – is a lead. Someone who lives for the project. "Me, René Tardi, the prisoner of war at Stalag IIB" is already the 50th band in 45 years that has appeared from him. The recently printed third part of the series completes his most personal work so far: the resumption of what René's father lived as a prisoner of war during the Second World War.
The way in which Tardi junior found his way into this rather intimate subject, based on his father's monuments, is presented in the cartoon museum, chronologically structured from the ground floor to the second floor. If you look at them per room, you notice two things: Tardi's strong attachment to the past and his preference for black and white.
Born in 1946 in Valances, south of France, he graduated from the Lyceum and Paris Art Colleges with "Le démon des glaces" in 1974. Two years later, he released the first part of "Les aventures extraordinaires d ' Adèle Blanc-Sec ". Tardy had come up with a strange, intense adventurer with freckles that had strange stories in Paris on the turn of the century. So far, nine parts have appeared. "Adèle" was his discovery.
The other number, inevitably linked with the name Tardi, is Nestor Burma. The private smoke detective in a smart suit was not invented by him, but by the author Léo Malet (1909-1996). The mandate of Tardi is to have envisioned Nestor Burma in the same way.
Ligne claire, the stylish device that influenced the Belgian Hergé with the stories of "Tintin", can also be found in Tardi, slightly modified. The precision of the flesh, the accuracy of the stroke when training cars, trains, objects. Even some of the characters that appear in the stories around Adèle and Nestor may come from the Hergé pen.
And no. While Hergé was a racist, anti-Semite and anything but a leftist – Claude Cueni worked with his novel in his new novel – Tardi is a devoted opponent of the war who is always interested in young children. who, for example, believes in the ideals of the Paris Commune. Thus, the form may be similar, the stories are very different, perhaps a bit miserable, also fantastic, but more intellectual in Tardi than the world-known Belgian.
Little by little, the First World War with him on the subject. The trenches, the big butte butchery in front – begin to make room along with typical street scenes from the Paris Belle Époque or Paris to the various apartments.
Tardi attributes it to the fact that his grandmother began to tell him what his grandfather had gone through from 1914 to 1918. The "Grave War" (1993) or " Miserable War "(" Putain de guerre! ", 2008) are cited here as an example. You can see in the report some of the original pages of these volumes.
Swelling of the intestines
Objectivity, harsh nature, have eliminated the fantastic stories of Adèle or the playful threat of the stories of Nestor Burma. Now it's horrible things like the guts that swell out of the body or the bullets are chasing through the skulls.
If you look at the report, you can not avoid thinking about what the cartoonist is recommending. Is he a narrator? Yes definitely. But where is it most likely to go? To the writer? For the artist? For the director?
The wide-format plates are impressive in the recently printed book that Anette Gehrigin had in her hands. Images in cinemascope. The proximity to cinema is obvious. But Tardy is also the one who sets the Word, which is not based only on the power of the image.
If someone wants to call a weakness in him, then probably the color. He is clearly a master black and white.
Until 24 March 2019, www.cartoonmuseum.ch (Tamedia Editors)
Created: 11/11/2018, 6:56 pm