Sunday , June 13 2021

Ennio Morricone does not look much like Quentin Tarantino




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Italian composer Ennio Morricone, together with director Quentin Tarantino, has been given a star at the Hollywood Walk of Fame. (Photo by Chris Pizzello / Invision / AP)

The legendary composer Ennio Morricone, the man behind the outrageously virtual The good the bad and the ugly soundtrack (among countless others), does not seem to have enjoyed any cooperation with Quentin Tarantino at all.

The two collaborated in Tarantino's latest film, Hate eight, which can be described as a cross between Tank Dogs and Dango the Undeat. On the screen, the two made a perfect pair, with Morricone's Oscar-winning soundtrack bringing up the overly violent, rotating story of Tarantino. is a soundtrack that sticks to your head long after the role of the believers.

But the esteemed composer had more than mere "creative differences" with the director – he seems to like him completely. In a recent interview with its German version Idle, Morricone did not exclude, describing Tarantino as a "dishonest" and said his films were "Garbage."

Tarantino "is totally chaotic, talking without thought, doing everything at the last minute, has no idea," he said, adding: "Call from blue and want a full score in just a few days. I'm not going to put it in that, and I told him so late. "

It is not clear if Morricone is still composing the soundtrack Sometime in HollywoodTarantino's redefinition of the history of Manson's violent killings. Unfortunately, it seems unlikely, as Morricone's name does not appear in the movie IMDb & nbsp; page, and the fact that the composer has not only a problem with Tarantino's unacceptably demanding stopbut seems to despise the director's filmography, stating:

It just steals from others and brings it back together. There is nothing original about it. And he is not a manager. So it's not comparable to Hollywood's real grooms like John Huston, Alfred Hitchcock or Billy Wilder. They were great. Tarantino cooks only old things.

Although I have no problem believing that Tarantino is horrible and selfish to work, the claim of "incompleteness" does not have much weight. Tarantino actually pays tribute to other films, sometimes even stealing entire scenes, but he does it in an extremely discreet way – there is no wrong movie Quentin Tarantino about the work of another filmmaker.

Taking pieces from others to form something unique gets a huge amount of skill; there is plenty of evidence for this from the number of films that have tried and failed miserably to mimic Tarantino's blood, pushing (looking at you, Saints Bondock).

As Pablo Picasso once said, "good artists are copying, great artists steal."

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Italian composer Ennio Morricone, together with director Quentin Tarantino, has been given a star at the Hollywood Walk of Fame. (Photo by Chris Pizzello / Invision / AP)

The legendary composer Ennio Morricone, the man behind the outrageously virtual The good the bad and the ugly soundtrack (among countless others), does not seem to have enjoyed any cooperation with Quentin Tarantino at all.

The two collaborated in Tarantino's latest film, Hate eight, which can be described as a cross between Tank Dogs and Dango the Undeat. On the screen, the two made a perfect pair, with Morricone's Oscar-winning soundtrack bringing up the overly violent, rotating story of Tarantino. is a soundtrack that sticks to your head long after the role of the believers.

But the esteemed composer had more than mere "creative differences" with the director – he seems to like him completely. In a recent interview with its German version Idle, Morricone did not put it back, describing Tarantino as "cretin" and said his films were "trash".

Tarantino "is totally chaotic, talking without thought, doing everything at the last minute, has no idea," he said, adding: "Call from blue and want a full score in just a few days. I'm not going to put it in that, and I told him so late. "

It is not clear if Morricone is still composing the soundtrack Sometime in HollywoodTarantino's redefinition of the history of Manson's violent killings. Unfortunately, it seems unlikely, since Morricone's name does not appear on the film's IMDb page and the fact that the composer has not only a problem with Tarantino's unacceptably demanding stopbut seems to despise the director's filmography, stating:

It just steals from others and brings it back together. There is nothing original about it. And he is not a manager. So it's not comparable to Hollywood's real grooms like John Huston, Alfred Hitchcock or Billy Wilder. They were great. Tarantino cooks only old things.

Although I have no problem believing that Tarantino is horrible and selfish to work, the claim of "incompleteness" does not have much weight. Tarantino actually pays tribute to other films, sometimes even stealing entire scenes, but he does it in an extremely discreet way – there is no wrong movie Quentin Tarantino about the work of another filmmaker.

Taking pieces from others to form something unique gets a huge amount of skill; there is enough evidence to prove this from the number of films they have tried and unfortunately fail to imitate Tarantino's stylized style (looking at you, Saints Bondock).

As Pablo Picasso once said, "good artists are copying, great artists steal."


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