At this point, Κλαρίις he begins to feel like the friend who always makes him refer to the Ivy League school they attended or who constantly intervenes a little about how smart they are, without realizing that he only serves to emphasize the strong fact that he is, well… no. The show just can’t resist trying to figure out his own intelligence, with characters constantly stating how smart they think someone is, only to be underestimated by another revelation that the heroes outperformed the competition – but then he realized Starling that In fact, at this point we spend more time being sure how smart we are she is, despite the evidence to the contrary. If the show worked half-hard on letting the subject remain just that – the subject – as he strives for uncovered depth, he might not feel so much Κλαρίις a light bulb hangs in everything it does. But until then, here we are, saying that Clarice’s assessment that the killer “does not trust” the FBI is a profound insight.
“Are you ok?” returns to the biggest storyline this season: the murder of three women who were complainants involved in some kind of drug trial. As it seems Clarice decided to firmly embrace the “no serial killer” element of the story, which means we have to rely on new revelations and additional information about the case to move the plot forward. Unfortunately, almost nothing happens in this episode. When it starts, we know that Karl Wellig was hired by someone or people unknown to kill the women (including the journalist who collected their stories, Rebecca Clarke-Sherman, who is now recovering in a treatment facility) and makes her look like with the work of an unhinged serial killer. At the end of the episode, we know exactly the same amount of information – only now, Wellig is dead, Rebecca is hiding and the people behind this conspiracy are gone again. It is true that it is clear that these bad guys have impressive resources (it is not at all difficult to disguise someone as a police officer and send him to the interrogation area to poison a suspect, while another tough one pretends to be a lawyer and distracts the team) , but this is too long to confirm what we already knew.
Surprisingly, this series seems to work under the illusion that viewers of a CBS online process need basic aspects of policing explained to them. The wording of the “good cop / bad cop” idea is pretty silly, but then support players keep a current comment on what exactly Krendler and the others do with Wellig every time they enter the interrogation room in disbelief. audience, an excess of narrative exploitation of hands – with children’s gloves, for starters. It is one thing to allow a little meta-fun through characters who fly wise about the nature of policing. It’s very different to explain to Kal Penn how a formal issue interrogation works, in real time, as they watch it through the two-way mirror. (Again, at least the show finally lets Penn speak, even if I could not tell you anything about this character in my life. It could also be the resurrected Dr. Kutner from home.)
Esquivel, on the other hand, continues to be the minor character who has the most opportunity to reveal a personality. His meeting with Wellig reveals that the former sniper is still relatively haunted by some of the things he did during his military service, and remains firmly committed to supporting Clarice’s instincts, even when there are not many. Agent Clarke makes another round of funny seniors and inexplicable hostility to the concept of psychological profiles for killers, and Krendler is evacuated amid open contempt. of Psaroni from an episode and the acceptance of her temperaments by his conclusion last week’s narrative cult. The basic dynamics of this team are consolidated, but it is very slow.
Martin’s family members are both the most interesting and the strangest elements of the series – Katherine is the first, and Attorney General Ruth Martin. Sure, Congress may be auditioning for this new unit created by AG, but it’s so closely linked to our team history that it feels like a distraction. (In addition, we already know that they will not close the unit soon, which makes these scenes feel even less necessary.) Katherine, however, is too much exercise, obviously she can not leave the house and can only contact the her mom. So far, the weird mix of cynical cleverness and injured insecurity works, but like the rest of the supporting players (poor Ardelia, who give so little as a cold-blooded researcher or as a character), the show has to start moving forward with its plans. for Katherine or else she will soon feel like spinning the wheels.
And it would not be Κλαρίις without a final embarrassing conversation with Starling shrinking. The reservation for this episode is this (supposedly) last sessions with Shawn Doyle’s anonymous therapist, and nothing more remains of his exhibit A because Clarice may need some more intensive help. Deluding a moth in her hand that eventually opens to reveal a woman’s hand (and a cry for help coming from within) does not really help Starling’s case when it comes to firing this guy—her argument that she tried Lightening it up is a much better reason to look for a new contraction, not to mention that Doyle has encountered a total creep during these sessions. I will be curious to see who they find as a replacement, as even Starling now knows he needs help. “Maybe your perceptions are not as stable as you think”, he disagrees and you know what? He is right.
- Ardelia climbs a few drownings this week. “I do not like it – it ‘s dark and deep, Clarice.” That too in response to Wellig learning no bites its victims.
- The therapist’s voice echoes in Starling’s head as he hits the coffee mug on the glass wall where Krendler walks:If you have thoughts of avoidance, it can make you impulsive. ” Thanks, flashback to a line we heard literally 30 minutes ago.
- Katherine can’t even take the precious out for a potty break. It looks good.
- Starling claims to own orange soda and pasta “The palate of an 8-year-old”. Kids love the simple Pasta Is that what I did not know?
- We take a long photo of Krendler looking at a family photo. His son is dead, I guess, who is the most for his character in three episodes.
- Okay, here is an example of the stupid kind of shit Κλαρίις pulls me that bothers me: When she realizes that the bad guys dressed as cops to get to Willing and kill him, at the same time she wants to follow the journalist, Rebecca, and Kredler tells her to get there. But when he arrives, the clerk walks into the room and knocks on the door together, before opening it to find out that he threw the coop. You’re taking Clarice seriously did not think to call the staff earlier, as soon as he realized that Rebecca’s life was in danger; The staff should already be in this room when you arrive, Psaroni! Concentrate, friends. Things like this make it much harder for us to believe he is a brilliant agent.